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19.1.24 – 24.2.24 ‘W:O:P’, group exhibition at Klemm’s Berlin with works by: Thomas Arnolds, Gwenneth Boelens, Elizabeth Jaeger, Keltie Ferris, Falk Haberkorn, Fiona Mackay, Renaud Regnery 27.10.23 – 10.3.24 ‘Intimate confession is a project’, group exhibition at Blaffer Art Museum, Houston, US; curated by Jennifer Teets with works by Gwenneth Boelens, Benvenuto Chavajay Ixtetelá, ektor Header

This Dusk Song (subtle body)

This Dusk Song  –  solo exhibition Treignac Projet, Treignac, France curated by Eloise Sweetman 17.10 – 14.2.2021 press release | documentation walk-through | essay >> 

This Dusk Song – Shields Shells Shh

Shields Shells Shh, 2020 offset printing plate, fibreglass, epoxy approximate size 170 x 130 cm curtain for inside dusk cotton hand-dyed with wood chips at: Treignac Projet, Treignac, France curated by Eloise Sweetman 17.10 – 14.2.2021

Windings

Attuned, 2020 conductive thread (stainless steel, copper), lubricated polyester, basalt fibre, fibreglass, acrylic sheets 42 x 80 cmCurrent’s Fall, 2020 conductive thread (stainless steel), basalt fibre, acrylic sheets 35 x 155 cmWavering Lengths, 2020 conductive thread (stainless steel, copper), basalt thread, basalt fibre, fibreglass, acrylic sheets 51 x 65 cm

A skin surrounding everything

A skin surrounding everything, 2019 reflective and conductive thread, aramide, transport rollers, combs, magnets, speaker loop of appr. 25 mat: Manifold, Amsterdam together with Özlem Altin (print) 3.2 – 3.3.2019

Loving Hands

Loving Hands, 2019 altered book (Loving Hands, Frédérick Leboyer, 1976/1997), latent fingerprints developed with fading forensic developer (ninhydrin)

At Odds

At Odds, 2015 chromogenic color print (photogram), 183 x 255 cm – (Bathhouse ruin), 2008/15 chromogenic color print (opaque projection), 63.5 x 35.2 cm metal, magnets, umbrella, tie-wrap

Liar’s cloth (strip)

Liar’s cloth (strip), 2017 reflective and conductive thread, aramide, bobbin, cardboard, tie-down straps, modified lighting, ± 300 x 20 x 40 cmin: (Residual Time), Klemm’s, Berlin 15.9 – 28.10.2017  

Courier

Courier, 2017 newspapers (Al Akhbar, Al-Quds Al-Arabi, Argumenty I Fakty, Asahi Shimbun, The Australian, Berliner Zeitung, Chosun Ilbo, Dinamina, El Mercurio, O Globo,The Guardian, Hamshahri, Iran, Izvestia, Jam-e-Jam, Kommersant, Kompas, Le Monde, Montreal Gazette, The New York Times, nrc·next, El País, Özgür Politika, Sing Tao, Slobodna Dalmacija, Le Soir, Süddeutsche Zeitung, Tokyo Shimbun, Vecernij list, Courier

At Odds – MIT

Gwenneth Boelens: At Odds at MIT List Visual Arts Center, Cambridge, US 17.2 – 16.4.2017press release

-16th Century + -Floodlights

– (16th century Venetian parasol of alto-basso velvet), 2007/15 chromogenic color print (opaque projection), glass, paper, metal, 54.9 x 38.8 cm– (Floodlights at Persepolis), 2008/15 chromogenic color print (opaque projection), glass, paper, metal, 66.5 x 38.2 cm

The Very Thing

The very thing we don’t know is always trying to expand, 2016digitized 16mm films, 11 and 14 minutesA film installation based on interviews with Erik Verlinde, theoretical physicist, about his yet to be released theory. One of the most remarkable aspects in the study on “dark matter phenomena” as practiced by the protagonist of this film is The Very Thing

Liar’s cloth study

Liar’s cloth study (adapted from ‘West African Weaving’ by Venice Lamb, London: Duckworth, 1975), 2015 radio- and electroconductive thread, painted aluminium and tape, metal, cardboard 21 x 26 cm at: Art Cologne 16.4 – 19.4.15