shortlisted for DZ BANK Art Collection fellowship 2018, Frankfurt 24.5 – 20.10.2018 ‘Deciphering numbers in art’ at DZ BANK Kunstsammlung, Frankfurt. With John Baldessari, Peter Bialobrzeski, Gwenneth Boelens, Jan Dibbets, Jan Paul Evers, Tamara Grcic, Andreas Gursky, Astrid Klein, Imi Knoebel, Robert Longo, Mario Merz, Olaf Metzel, Martin Parr, Timm Rautert, Miguel Rothschild, Thomas Ruff, […]
Liar’s cloth (strip), 2017 reflective and conductive thread, aramide, bobbin, cardboard, tie-down straps, modified lighting, ± 300 x 20 x 40 cmin: (Residual Time), Klemm’s, Berlin 15.9 – 28.10.2017
Gwenneth Boelens: (Residual Time) at Klemm’s, Berlin 15.9 – 28.10.2017press release
Courier, 2017 newspapers (Al Akhbar, Al-Quds Al-Arabi, Argumenty I Fakty, Asahi Shimbun, The Australian, Berliner Zeitung, Chosun Ilbo, Dinamina, El Mercurio, O Globo,The Guardian, Hamshahri, Iran, Izvestia, Jam-e-Jam, Kommersant, Kompas, Le Monde, Montreal Gazette, The New York Times, nrc·next, El País, Özgür Politika, Sing Tao, Slobodna Dalmacija, Le Soir, Süddeutsche Zeitung, Tokyo Shimbun, Vecernij list, […]
5:11 (Residual time) and 4:39 (Posteriority), 2015 chromogenic color print (photogram, opaque projection), aluminium 127 x 160 cm eachat: Frieze New York 14.5 – 17.5.15
While weaving a Liar’s cloth (contact prints), 2017 60 contact c-prints in glass cassettes, sizes variable ± 36 x 42 cm
Echolocation: Nocturne – Nickel van Duijvenboden a collaboration at P/////AKT, Amsterdam 25.6 – 23.7.2017 video documentation here
Gwenneth Boelens: At Odds at MIT List Visual Arts Center, Cambridge, US 17.2 – 16.4.2017press release
Response-ability (rehearsal), 2016 occurrence at Next Visit, Berlin 16.7.2016
At Odds, 2015 chromogenic color print (photogram), 183 x 255 cm – (Bathhouse ruin), 2008/15 chromogenic color print (opaque projection), 63.5 x 35.2 cm metal, magnets, umbrella, tie-wrap
Shields Shells Shh, 2016placards, acrylic sheet, metal, 175 x 140 cm each in: Quickscan #2, Nederlands Fotomuseum, Rotterdam 23.1 – 8.5.16
– (16th century Venetian parasol of alto-basso velvet), 2007/15 chromogenic color print (opaque projection), glass, paper, metal, 54.9 x 38.8 cm– (Floodlights at Persepolis), 2008/15 chromogenic color print (opaque projection), glass, paper, metal, 66.5 x 38.2 cm
The very thing we don’t know is always trying to expand, 2016digitized 16mm films, 11 and 14 minutesA film installation based on interviews with Erik Verlinde, theoretical physicist, about his yet to be released theory. One of the most remarkable aspects in the study on “dark matter phenomena” as practiced by the protagonist of this film is […]
Liar’s cloth (guileless note), 2015 chromogenic color print (photogram, opaque projection), aluminium 183 x 235 cm each
Liar’s cloth study (adapted from ‘West African Weaving’ by Venice Lamb, London: Duckworth, 1975), 2015 radio- and electroconductive thread, painted aluminium and tape, metal, cardboard 21 x 26 cm at: Art Cologne 16.4 – 19.4.15
Gwenneth Boelens: Riveted at Grimm Gallery, Amsterdam 22.3 – 3.5.14press release